Chuck Berry re-takes on Mercury 1966

 

If you see this mid-price compilation from Spain from 1967 grab it as it is a re-badging of the Mercury Studios 1966 re-takes session Berry did when he swapped labels moving from Chess to Mercury (Fontana over here).

Original Mercury album cover from states

The session involved :

  • Chuck Berry – guitar, vocals
  • Ebby Hardy – drums
  • Johnnie Johnson – piano, electric piano
  • Quincy Macon – rhythm guitar
  • Eugene Washington – drums

They hit the hits at quite a lick and all in all it a feisty reinterpretation of the Chess standards with one new track Club Nitty Gritty that came out as the first mercury single and hence very rare.

 

More info on the Mercury Releases here : http://www.crlf.de/ChuckBerry/mercury.html

My particular favourite is the take on Roll Over Beethoven which almost punk like in its speed and intensity. The whole session sounds one-take live throughout. Leadbitter and Slaven’s Blues Records 1943-1970 states it recorded Clayton Mo, Oct/Nov 1966.

 

Full track listing:

Side one

  1. “Sweet Little Sixteen” (2:32)
  2. “Memphis” (2:07)
  3. “School Days (Ring Ring Goes the Bell)” (2:35)
  4. “Maybellene” (2:35)
  5. “Back in the U.S.A.” (2:27)

Side two

  1. “Johnny B. Goode” (2:45)
  2. “Rock and Roll Music” (2:33)
  3. “Roll Over Beethoven” (2:02)
  4. “Thirty Days” (2:10)
  5. “Carol” (2:24)
  6. “Club Nitty Gritty” (2:18)

Ramblin Jack Elliott and Trailer Star

I always had a soft spot for Ramblin Jack Elliott (born Elliot Adnopoz in Brooklyn yes the original Jewish Beat Cowboy before Zimmerman 🙂 ) not only because of the obvious Dylan connection but because the early Topic LPs are beautifully designed especially the drawn ones which I copied for Trailer Star’s fake album Suit of Nettles. Spot the influence…

The artist on these Topic albums (I also have a beautiful Sarah Ogun Gunning album of the  same period) was probably the same artist but I cannot trace who it is at all.

The Elliotts have what appears to be a signature but Bosard C my best guess comes up with nothing ..

This my collection so far as Ramblin Jack has 50 releases a way to go…

In situ Lincoln 2008..note the influences..

 

 

 

 

 

Eve of Destruction – Barry Maguire

maguire

Do not know where or when I picked this up. Probably bought for the cover and a little familiarity with the title track. Produced by Lou Adler on his own Dunhill Records which had bigger hits with the Mama and Papas and Carole King. We are firmly in ‘New Dylan’ territory and it not surprising that fellow folkie P.F.Sloan provides a couple of tracks alongside Dylan himself. The Dylan covers are polite and pleasant. The production pure Terry Melcher or CBS studio A Johnston . The stand out is this the title track. A cold war track of unending relevance even now sadly. Maguire found religion and became a major artist on The God and Jesus circuit long before Dylan found himself ironically. Overall a novelty record but worth it for a couple of nice tracks. I once had the P.F.Sloan greatest hits which overall a better album. I believe P.F.Sloan made a comeback recently just before he passed away in November 2015. Here’s the track..enjoy.

For more on Maguire see http://www.barrymcguire.com/ he a little less hair now…

sloan

P.F.Sloan OBIT: http://www.rollingstone.com/music/news/p-f-sloan-eve-of-destruction-songwriter-dead-at-70-20151116

Get In Get Out – Randall Bramblett

Most years the excellent Southern States magazine ‘Oxford American’ puts together a music related issue and an accompanying sampler. I was fortunate to acquire the one for 2000 but missed the rest.
cover

The compilations are wonderful and off this one the stand-out track for me was Randall Bramblett’s Get In Get Out.
A steamy bit of wordy southern funk.

The rest was just as good..almost

1. Train That Carried My Girl from Town – Doc & Merle Watson
2. Sometimes We Make You Move Your Feet – Keith Frank & the Soileau Zydeco Band
3. Back to the Crossroads – Todd Snider
4. Break My Heart – Judybats
5. I Love You – Asie Payton
6. Best in Town – Hodges Brothers & the Hi Rhythm Section
7. Louisiana 1927 – Randy Newman
8. The Seventh Son – Mose Allison
9. Get In Get Out – Randall Bramblett
10. Billy the Kid – Tom Petty & the Heartbreakers
11. Whatever Way the Wind Blows – Kelly Willis
12. When the Roses Bloom Again – Wilco with Billy Bragg
13. Silver Dagger – Dolly Parton
14. Leaning – Robert Mitchum & Lillian Gish
15. He’s Got You – Dean Martin
16. I Know – Kim Richey
17. Dirty Angels – Kevin Kinney
18. Southern Casey Jones – Jesse James
19. Not for the Love of You Woman – Ronnie Milsap
20. Castanets – Alejandro Escovedo
21. Can’t Stop a Train – The Derailers
22. Grievin’ My Heart Out for You – Jimmie Davis
23. Down in the River to Pray – Alison Krauss

I then found Bramblett’s 2001 CD album ‘No more Mr. Lucky’ which was not all as good as this track but a good album. It seems he has had a long career as sideman which explains why his new album from 2016 ‘Devil Music’ includes luminaries like Mark Knopler on it. I missed out on albums in between so looking forward to hearing. The new album from online previews sounds like more Get In Get Out which no bad thing.

Check out: http://randallbramblett.com/

luckyRandall-Bramblett-300x300

Souled American – The American Gothic

souledamericanpromo

Some time back in the early 1990s I picked up a cassette tape of Souled American’s ‘Fe’ album because I liked the cover. The hint of American Gothic in photo and the typeface said it was my kind of music. Published by Rough Trade (RT131) for the trainspotters. It was a fantastic early exposure to the alternative americana universe that started seeping across these shores in mid 1990s. It coinicided with my purchasing of Uncle Tupelo and early Whiskeytown records. Yet Souled American were investigating timbres from that ‘weird old america’ of Harry Smith and Doc Boggs before any of them. They went on to release a smattering of increasingly experimental albums through the 1990s. I have 1992’s ‘Sonny’ and as of tomorrow when I return to Anarchy Records will have ‘Flubber’. It is one of the strangest musical timelines ever and only McSeeeney’s obscure emporium and a handful of online critics even acknowledge their existence. The music continues to eerily fascinate. Like a backwoods proto-punk gothic back porch melodrama hoovering up old Merle Travis and Louvin Brothers tunes then slowing them down to a crawl pace Codeine and Cowboy Junkies. Listening to ‘Sonny’s’ funereal drum-less soundscapes the whole gamut of americana-noire lights up….from Will Oldham through Drunk and 16 Horsepower to Smog, health Lambchop and on…it all starts here…essential water from the well…

More Info:
http://www.sfweekly.com/sanfrancisco/the-lonesome-death-and-life-of-souled-american/

http://www.gothiccountry.se/articles/midwest/souled-american.html

http://hissgoldenmessenger.blogspot.co.uk/2008/10/notes-campfire.html

https://en.wikipedia.org/wiki/Camden_Joy